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BEATRICE MANDELMAN, 1912-1998

In 1944 Taos, New Mexico, was a well-known art community, but there were no galleries exhibiting modern art. A new influx of artists from New York and California during the late 40s and 50s would change this. A group of these artists, including Mandelman and Louis Ribak, Ed Corbett, Agnes Martin, Oli Sihvonen, and Clay Spohn, would become known as the “Taos Moderns.” 

Mandelman was an intensely dedicated painter. In the relative isolation of Northern New Mexico she found the freedom to develop a style that was distinctly her own. Inspired by the light, the local color, the landscape and the confluence of diverse cultures in Taos, her work flourished.